| October
26, 2008
"Hitchcock's 13 Secrets for Success"
Gil
Mansergh stepped in at the last minute when our scheduled speakers
had a conflict. I asked Gil, a well-known radio talk show host
Word by Word: conversations with writers on KRCB (NPR)
and Cinema Toast on KRSH-FM, as well as a lecturer,
book doctor, workshop leader and author of of many books, to
talk about Alfred Hitchcock's brilliant career and how it applies
to writers of all genres. Gil is recognized internationally as
a Hitchcock expert and it was clear to all present that he is
quite the expert.
Gil's
presentation, Hitchcock's 13 Secrets for Success, was lecture
and video. He chose a number of film clips, showing how Hitchcock's
themes and treatment earned him the title of Master of Suspense.
"Drama
is life with the dull bits left out."
"There is no terror in a bang, only the anticipation of
it."
Hitchcock
was a brilliant director but a very strange man. He was the writer
of most of his earlier films and his wife, Alma Raville, also
contributed to the early writing. As he grew in fame, so did
his odd behavior but it did not detract from his abilities to
create some of the most famous films of all times.
A couple
of years ago, my 18 year old niece Melinda came to California
and my husband Don and I took her to Bodega Bay for seafood and
told her about The Birds. We rented the movie and she sat on
the sofa, clutching a pillow and announced at the end that it
was the scariest movie she'd ever seen. She'd never seen a movie
without special effects, car chases or shoot-'em-ups. She's been
a Hitchcock fan ever since...
"We
try to tell a good story and develop a hefty plot. Themes emerge
as we go along."
We
saw clips from "Young and Innocent", "Strangers
on a Train," " The Wrong Man, and "North by Northwest."
Running through each clip were some of Hitchcock's themes including:
the wronged man, an identifiable landscape, famous music, faces
and eyes, the police as incompetent and the hero is innocent,
the hero is Everyman. To go into all the details we learned would
take up too much space but suffice it to say that these clips
and Hitchcock's many movies are worth studying no matter what
you are writing. His storyboards are legendary; his plots fascinating
and the use of his themes universal.
"I
am a typed director. If I made Cinderella, the audience would
immediately be looking for a body in the coach."
—Barbara
Truax, President
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